two of the most exciting hardcore albums of the last months are just published in parallel. this of course first of all a tremendous burden on the purse (honest) fans. on the other, the increasing establishment of a genre from the clutches of metal and emocore. although in two acts this double-review melodies a prominent role-play: emo-ingredient here is no one can make. especially Killing The Dream . those that have to do with the sound of nothing, for it involves both a reliable source-label deathwish records, as well as the former producer of exceptional support-fader slider j robbins. which fed the same so paint it black for the final reference class helped. based on classics such as Chain of Strength, unbroken or contemporary acts californian brand bane of our development but now a little less impressive intensity, which is (not only) on vocal use can be seen from Elijah Horner. so had the shots be postponed again and again to the back, because his vocal chords were strained too much. but the torment has paid off: "Lucky Me" ( deathwish / indigo ) needs is because a whole until after the sheer desperation and the monotonous at first glance bolzenden tracks the emerging actual song structures - but then convinces the consistent trend-free sound full. also coming from southern Germany With Open Arms not stay long on cliches with currently fashionable. Her second album "Traces" ( swell creek / soul food ) tramples between cro-mags riffing and melodic guitar work carefully through the terrain - and in this way creates a surprisingly been constant, sympathetic dirty sound produced. this is a successful artwork and liner notes including lyrics worth reading. The result is a thoroughly commendable overall product design in the late nineties, in which we should invest much more money than in the various victory-records-clone, which spill over wiedermal currently in the States. Rosenheim hardcore rocks!
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